“Their mind is changed and passes into lasting melody”

Another entry from Richard Rolle’s 14th century Christian classic, The Fire of Love.  A glimpse of the afterlife. There is no greater image of heavenly joy and flourishing than music. 

The Fire of Love, chapter 5

Therefore all those who are filled with love and joy, the seekers after inextinguishable heat, unite to sing in one glorious choir of rich melody; and now this company of friends has the shade of heaven to protect them against the scorching of lustful flattery and ill will. The very fervour of their sweet love ravishes them with the sight of their Beloved. Flowering through this loving flame into all virtue they rejoice in their Maker. Their mind is changed and passes into lasting melody. From now on their meditations become song. Melancholy has been driven out of the mansion of their spirit, and it now resounds with wondrous melody. The one-time torment of their soul has vanished, and now in glowing health they dwell in the heights of harmony, in the wonderful rhythm of sweet and melodious meditation. 

–Translation and copyright 1972 by Clifton Wolters. Penguin Classics.

Surprised by Fire

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I didn’t know about a connection to the royal wedding until just now. Rev. Michael Curry’s sermon at that historic event has an ancient and deeply spiritual heritage.  Here is a second passage from Richard Rolle’s 14th century spiritual classic, The Fire of Love.  The prologue is one of the few places where Rolle speaks of the personal aspect of his experience plainly, not using generalities about “they” and “those” who experience the fire of love. 

Note the similarities to the brief, intermittent experiences of C. S. Lewis with which I began this blog.  Lewis wrote of his childhood experiences of Joy as “…an unsatisfied desire which is itself more desirable than any other satisfaction…. [I]t might almost equally well be called a particular kind of unhappiness or grief. But then it is a kind we want.”  We also cannot ignore the momentous conversion experience of John Wesley, when he felt his “heart strangely warmed.”

I will write more in an afterword below. You want to get right to Rolle.

The Fire of Love: Prologue

I cannot tell you how surprised I was the first time I felt my heart begin to warm. It was real warmth too, not imaginary, and it felt as if it were actually on fire.  I was astonished at the way the heat surged up, and how this new sensation brought great and unexpected comfort. I had to keep feeling my breast to make sure there was no physical reason for it! But once I realized that it came entirely from within, that this fire of love had no cause, material or sinful, but was the gift of my Maker, I was absolutely delighted and wanted my love to be even greater. And this longing was all the more urgent because of the delightful effect and the interior sweetness which this spiritual flame fed into my soul. Before the infusion of this comfort I had never known such warmth, so sweet was the devotion it kindled. It set my soul aglow as if a real fire was burning there.

Yet as some may well remind us, there are people on fire with love for Christ, for we can see how utterly they despise the world, and how wholly they are given over to the service of God. If we put our finger near a fire we feel the heat; in much the same way a soul on fire with love feels, I say, a genuine warmth. Sometimes it is more, sometimes less: it depends on our particular capacity.

What mortal man could survive that heat at its peak–as we can know it, even here–if it persisted? He must inevitably wilt before the vastness and sweetness of love so perfervid, and heat so indescribable. Yet at the same time he is bound to long eagerly for just this to happen: to breathe his soul out, with all its superb endowment of mind, in this honeyed flame, and, quit of this world, be held in thrall with those who sing their Maker’s praise.

But some things are opposed to love [caritas, i.e., divine, unselfish love]: carnal, sordid things which beguile a mind at peace. And sometimes in this bitter exile physical need and strong human affection obtrude into this warmth, to disturb and quench this flame (which metaphorically I call “fire” because it burns and enlightens). They cannot take away what is irremovable, of course, because this is something which has taken hold of my heart. Yet because of these things this cheering warmth is for a while absent. It will reappear in time, though until it does I am going to be spiritually frozen, and because I am missing what I have become accustomed to, will feel myself bereft. It is then that I want to recapture that awareness of inner fire which my whole being, physical as well as spiritual, so much approves; with it it knows itself to be secure.  

–From Prologue in The Fire of Love by Richard Rolle. Translation and copyright 1972 by Clifton Wolters. Penguin Classics.

Afterword

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Rolle says here that he uses “fire” metaphorically because it both burns and enlightens. Who would want to experience a “burning” sensation? Yet when we desire something or someone deeply, the sensation is more like a burning than anything else, isn’t it?  —As thousands of poems and pop songs testify.  Not a “heartburn” that you simply want to go away; more like a boiling that says “Something has got to happen; either I am going to explode in song and dance or I am going to quench this fire.”  God is the greatest object of desire, the deepest satisfaction of the soul. It makes sense that desire for Him would be greater than any other desire.  I tend to think of desire-love as eros, following C. S. Lewis’s description in his book The Four Loves, and thus second-rate compared to agapé or divine, self-sacrificing love, which does what is best for the beloved, not seeking satisfaction of one’s desire.  But Rolle and similar mystics bring me up short.  How can this fire of love be a divine form of love if it is desire? 

So this is a paradox.  Perhaps we might say that this “fire of love” is a kind of “eros” transfigured, desire for something that nothing in this world can satisfy but still cousin in its bodily sensations to earthly desires.

And this seems to be what Rolle is indicating.  Augustine or others are often credited with writing “Each person has a God-shaped hole that only God can fill,” and Pascal did say something along these lines.  But actually, the thought originated with Rolle in this book: “Since the human soul is capable of receiving God alone, nothing less than God can fill it; which explains why lovers of earthly things are never satisfied” (chapter 11).

And this is a fire that drives us to agapé, which is action not feeling.  It drives us to “Love the Lord your God with all your heart, and mind, and strength, and love your neighbor as yourself.”

Have you every experienced the fire of love?

P.S.:  I began this series not having watched any of the Royal Wedding. I just learned that the Presiding Bishop of the Episcopal Church Michael Curry gave a “fiery” (at least for a royal wedding) sermon on The Fire of Love.  Though his focus was not our love for God, many of his thoughts are still relevant.  And since I will probably get 396,481 new visitors to this site, I will link and tag it here, nudge nudge, wink wink. (“OMG, he’s sold out.”)

A Prison, A Paradise: Time Travel

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Finishing up our selection from Gay Taylor’s pseudonymous memoir. Not long after the previous events, she and a friend visit the ruins of an Abbey and have one of the most astonishing experiences anyone has ever had. 

January 5th, 1948. The highlight of my visit, and one of the occasions of our lives, came on New year’s Eve. Alison and I went by a variety of buses to Ripon, and set off on a cloudy winter afternoon, in a taxi to the gates of Fountains Abbey.  I had clamoured for years to revisit it, for I had loved it as a child and had never seen it since. Fountains2-49We dismissed the taxi at the gates, walked by frost-whitened paths between silvery evergreens, then down towards the roar of the Skell [river] and the dim lovely ruins.

Repair-work was going on and scaffolding towered above the Chapel of the Nine Altars. As dusk fell, we stood together on the south side of the cloister-garth, looking north, towards the cedar and the great grass-grown walls and the tower. As as we stood silently watching, they began to change. 

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A soft, silvery-amber and quite unearthly light like warm moonlight lay over them.  But there was no moon; it was not due to rise for hours yet. In utter silence—where was the roar of the Skell?—the whole ruin changed, rebuilt itself: the walls were intact, the church and the Chapel of the Nine Altars became roofed and perfect. The pinnacled tower stood out newly finished, a deeper amber than the rest. The entire structure was silver-gilt in colour, and this colour seemed to be struck out of it by the silvery light in which it was bathed. We both stood awestruck, wordless, not moving, for what seemed a long time. “There’s no scaffolding,” breathed Alison at last in a soft amazed tone. I didn’t answer, for I thought, “Why should there by scaffolding? We’re seeing it as it was about 1520, when Huby’s tower was finished, and they’ve only just removed the scaffolding.” But then I realized that we were both seeing the same thing. She said later that she had meant the scaffolding that showed above the Chapel of the Nine Altars, where (certainly from the time and place in which we now were) there was no scaffolding.

We saw no Cistercian monks, brought back no useful information whatever, we merely stood for a timeless moment, for eternities or for ten minutes, seeing Fountains as it was a few years before the Reformation.

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Last night, as usual, I sat and composed myself. It was about a quarter to eleven by my very wrong clock. And almost at once, something akin to the “sun flower” came back—that indescribably sense of the inflooding, enfolding, brimful-filling of God’s burning love, and the knowledge that the material universe, the atmosphere, world, body are screens of mercy, which in our fallen state are there as a protection. That God’s love meeting only foulness would destroy and disintegrate it; that the screen is our shelter and our opportunity. But it is no more than a screen; there is no least corner of the universe where God’s love is not.

And for the first time I began to understand this strange idea: the spatial location of the Heavenly Heart. It was like “the fifth month, when the child moves.” 

The universe contrasted with infinite personality

Continuing from Julian of Norwich’s Revelations of Divine Love.

And He showed me more, a little thing, the size of a hazel-nut, on the palm of my hand; it was as round as a ball. I looked thoughtfully and wondered, “What could this be?” And the answer came: “It is all that is made.” I marveled that it continued to exist and did not disintegrate, because it was so small. And I was answered in my understanding: “It exists, both now and forever, because God loves it.” That is, everything owes its very existence to the love of God.

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In this Little Thing I saw three truths. The first is that God made it, the second is that God loves it, the third, that God sustains it. But who is this maker, sustainer, and lover I cannot tell; for until I am completely one with Him, I can never be fully at peace or happy: that is to say, not until I am so joined with Him that there is absolutely no created thing between me and my God.

We have got to realize the smallness of all the universe, so that we can see it as nothing compared to God, in order to love and be one with God, Who is uncreated. This is why we don’t feel easy in our hearts and souls: We seek rest in those things that are so trivial they possess no peace at all, and not seeking to know God, who is almighty, all wisdom, all goodness. For He is our true rest. God wants us to know Him, and it pleases him when we rest in Him. Nothing less will satisfy us.

 

“It is all that is made.”

It may be the most well-known mystical vision in the western world: the entire universe, round as a ball and the size of a hazelnut, being held in the palm of the hand.  Julian of Norwich was born in 1342 and lived as an anchoress–sort of like an extreme nun.  On what seemed to be her deathbed she had a series of 16 visions. She was miraculously healed and spent the years afterward reflecting upon the meaning of the visions. She eventually composed them into a book, Revelations of Divine Love, written in the simple English of the day, not Latin.

That was Middle English, the language of Chaucer. I have used the public domain translation by Grace Warrack and updated the language for modern ears, with the help of Clifton Wolters’ 1966 translation. 

When I was thirty-one, God sent me a bodily sickness, in which I lay three days and three nights. On the fourth night the priest gave me the Last Rites, because those with me were certain that I would not to live till day. But after this I lingered for two more days and nights, and on the third night I was sure I was dying, and those with me were certain too…

My parish priest was sent for to be at my death. By the time he arrived, my eyes were fixed and could not move. I could not speak. He held the Cross before my face and said “I have brought thee the Image of thy Maker and Saviour: look upon it and be strengthened.”….

After this my sight began to fail, and room became dark about me, as if it were night, except in the Image of the Cross which somehow was giving off light; and I could not understand how that was happening. Except for the Cross everything else in the room was horror, as if it were filled with demons. After this the upper part of my body began to die, and I could hardly feel anything, and my breath became shorter and shorter. I was certain I was dying. And in this moment suddenly all my pain was taken from me, and I felt as fit and strong as ever…..

[The visions begin. She has a vision of Jesus dying on the cross, and she receives insight about the Trinity and then Mary, the mother of Jesus. Then this.]

….At this moment our Lord showed me a spiritual sight of how intimately he loves us. I saw that He is everything that we know to be good and helpful. In his love he clothes us, hugs us, holds us tight, because of his tender love, never to leave us. As I saw it he is everything that is good. 

And He showed me more, a little thing, the size of a hazel-nut, on the palm of my hand; it was as round as a ball. I looked thoughtfully and wondered, “What could this be?” And the answer came: “It is all that is made.” I marveled that it continued to exist and did not disintegrate, because it was so small. And I was answered in my understanding: “It exists, both now and forever, because God loves it.” That is, everything owes its very existence to the love of God.

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